a long time ago a dumb boy made me feel wanted and was kind of ok and i was not in a good state and did a stupid thing and now months later i miss the being wanted feeling but my brain associates that feeling w him and makes me think about him in a way that i dont like and dont agree with 

I am sorry but all I care about right now is getting good grades becoming pretty and not boring. I care about other things too but today those are my priorities. Im shallow


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Grimes- Oblivion

(Source: nightmayor, via plantpowur)



(via grace-darling)



Look at this bab

(Source: seiitchi, via cinoh)

Saarah and I are house sitting and we have electric blankets and heaters and a labradour and a golden retriever and many types of teas and cookies and wifi and ya. We had sushi for supper and now we are watching cooking shows. How are we getting paid for this

Drawings done during school today

(Source: endthymes, via onigiri85)

baby's first words

baby: d-d-da..

father: daddy?

baby: dada /ˈdɑːdɑː/ or Dadaism was an art movement of the European avant-garde in the early 20th century. Many claim Dada began in Zurich, Switzerland in 1916, spreading to Berlin shortly thereafter but the height of New York Dada was the year before, in 1915.[1] To quote Dona Budd's The Language of Art Knowledge,

Dada was born out of negative reaction to the horrors of World War I. This international movement was begun by a group of artists and poets associated with the Cabaret Voltaire in Zurich. Dada rejected reason and logic, prizing nonsense, irrationality and intuition. The origin of the name Dada is unclear; some believe that it is a nonsensical word. Others maintain that it originates from the Romanian artists Tristan Tzara's and Marcel Janco's frequent use of the words "da, da," meaning "yes, yes" in the Romanian language. Another theory says that the name "Dada" came during a meeting of the group when a paper knife stuck into a French-German dictionary happened to point to 'dada', a French word for 'hobbyhorse'.[2]

The movement primarily involved visual arts, literature, poetry, art manifestoes, art theory, theatre, and graphic design, and concentrated its anti-war politics through a rejection of the prevailing standards in art through anti-art cultural works. In addition to being anti-war, Dada was also anti-bourgeois and had political affinities with the radical left.